Log #162 - The Veedon Fleece Brothers Undress

Some treats this week. We spin Beck's latest (although a new album Hyperspace is out later this month) and also The Felice Brothers' latest. Top of the magazine we have two classic albums in the smooth jazz rock form of Steely Dan and Donald Fagen (one half of Steely Dan of course and Donald's first appearance solo at the blog). Centre midfield is taken up by one of Van Morrison's greatest albums and the revolutionary samplefest debut from DJ Shadow.

Steely Dan Aja

Donald Fagen The Nightfly

Van Morrison Veedon Fleece

DJ Shadow Endtroducing
The Felice Brothers Undress

Beck Colors

Compiled almost entirely from samples DJ Shadow's groundbreaking Endtroducing received critical acclaim on its release in 1996. No doubt a technical achievement the fear might be that the means trumps the end, but actually the album is very cohesive and contains excellent tracks of down tempo trip hop.

A full list of samples used track by track is shown at this website -  http://www.musicismysanctuary.com/dj-shadows-endtroducing-sample-list

Of most interest to me the list includes artists Pink Floyd, Tangerine Dream and Nirvana, not that you'd be able to tell.

Veedon Fleece is a truly beautiful album. Somewhat over(dj)shadowed by the greatness of its surroundings. Released in 1974 Veedon Fleece was possibly Van Morrison's last great album (for a while at least) following in the footsteps of a run of classics like Moondance, Astral Weeks of course, and St. Dominic's Preview, plus the live double Too Late To Stop Now which came out earlier the same year. It would be another three years before the underwhelming A Period Of Transition would demonstrate a change in style.

Live, human, and dynamic. Richly atmospheric loose-limbed arrangements that parallel ‘Van the Man’s’ tenderly gentle and wildly explosive deliveries. 

Griffin Anthony

Veedon though is slow and easy with Van at his most soulful - I don't think I've heard his voice pitched so high on any other album, possibly channelling his Al Green or Marvin Gaye. Where Astral Weeks is stringy and Moondance is brassy, this one is pianoey.

Some artists sing about individual personal feelings, some are more outward looking and will comment on the state of the world and politics for instance. Then you get the uniqueness of an artist like Dylan who tells long dense stories littered with proper nouns (for better or worse Ian Felice is similar). But I don't think I know of an artist whose songs recall such a sense of place. 

Often this is implicit, 

but sometimes explicit 

as in Streets Of Arklow. Arklow is a town on the east coast of Ireland Morrison visited in 1973 (he was living in the US at the time):

And as we walked
Through the streets of Arklow
In a drenching beauty
Rolling back 'til the day
And I saw your eyes
They was shining, sparkling crystal clear
And our souls were clean
And the grass did grow

I'm also intrigued what Linden Arden Stole The Highlights means:

Linden Arden stole the highlights
With one hand tied behind his back
Loved the morning sun, and whiskey
Ran like water in his veins
Loved to go to church on Sunday
Even though he was a drinking man
When the boys came to San Francisco
They were looking for his life

Morrison described this made up character as "an image of an Irish American living in San Francisco - it's really a hard man type of thing".

I still don't understand how he stole "highlights".

Reviewing Van's discography I'm frankly shocked to realise there are 2 albums up to Veedon Fleece that I don't think I've actually heard in their entirety. They being Hard Nose The Highway and His Band And The Street Choir. I don't know how this has happened and I  promise to rectify immediately Ed. with a visit to ebay. Sure I'd find these for £3 or so at World of Books or Music Magpie.

Undress is the latest album from The Felice Brothers. The band, being generally media darlings, usually get great reviews for both their studio work and their live shows, and this is no exception. However on initial listens I have to admit I was slightly disappointed. Of the dozen tracks there are 4 or 5 that are up to the Brothers' usual high standards, which ain't bad by anyone's measure, but also two or three that are on the weak side. The balance are literally middle of the road.

The lyrics, mostly from Ian Felice who is often compared to Dylan, are important in the Felice Brothers' songs, and many reviews highlight a shift from introspection to a more outward looking view on the state of our political world such as in the sing-a-long Special Announcement:

I can promise more berries
On Blueberry Hill
I can promise you this
Charlie Parker on the ten dollar bill
I'll gather up all the cash
Toss it to the birds
Burn down the Stock Exchange
The Federal Reserve (It's going down)
I'm saving up my money
To be president

and the title track:

Smell the chrysanthemums
Republicans and Democrats
Undress
Even the evangelicals
Yeah, you
Lighten up, undress
Shake the maracas
Everyone's nude on Family Feud
Undress
Under the mushroom cloud
The Pentagon
Undress
Lady Liberty
Crimes against humanity
Undress
Caesars of Wall Street
Brooklyn Bridge
Undress
Comanche and Iroquois
Exploitation, genocide
Undress
Bank of America
Kellyanne
Undress
Read me the Riot Act
Vice President and President
French Kiss

Many of the songs on the new album are motivated by a shift from private to public concerns. It isn’t hard to find worthwhile things to write about these days, there are a lot of storms blooming on the horizon and a lot of chaos that permeates our lives.  The hard part is finding simple and direct ways to address them.

Ian Felice

However, like Dylan, it's the odd genius line of juxtaposition that delights in Felice's lyrics, like exchanging pleasantries under pleasant trees.

Despite my lukewarm feelings about the album the Felices, to be fair, are a band who have rarely stood still, each release pushing new boundaries which can confuse their fans at first. Here original brothers Ian and Felice are joined by new bassist Jesske Hume and drummer Will Lawrence (third brother Simone left in 2009 - his subsequent output as The Duke and The King and as a solo artist are due an examination at a later date). They've also lost long term fiddle player Greg Farley which goes some way to explaining how this record has taken a step away from their popular ramshackle brand of rootsy americana (never more ramshackle as on the previous release Life In The Dark) into a more polished mainstream rock sound.  

The Brothers are touring the UK in January and I also see The Black Deer Festival have pulled off a blinder for next summer:

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Log #10 - A Steely Dan of Sonic Perfection

I remember reading once that the cover album this week was, in its time (1977), celebrated for it's amazing sound quality to such a degree that it became the "go-to" record hi-fi equipment shops would use for demo purposes. I wonder how many hi-fi shop staffers were actually aware of this dictum - it was probably an urban myth rarely put into practice on the high street.

Aja (named after a girl of that name - and although I've never noticed before there is a girl's face in the cover) is indeed a sumptuous jazz / rock / funk / R&B / fusion masterpiece with it's perfectly intertwined funky bass, smooth electric piano and drum shuffles, played by a revolving door of crack session players.

The band actually took their name from a brand of dildo featured in William Burrough's "Naked Lunch"

I had assumed the name Steely Dan was something to do with the two core players, Donald Fagen and Walter Becker, but not at all, the band was named after a dildo. Eh hem. Donald Fagen's later Nightfly album was also a favourite during my university years.

1. Ketil Bjornstad and David Darling - Epigraphs
2. The Felice Brothers - The Felice Brothers
3. Traffic - John Barleycorn Must Die
4. DJ Shadow - Preemptive Strike
5. Steely  Dan - Aja
6. AC/DC - Back in Black

Ketil Bjornstad and David Darling are a pianist/cellist duo recording for the new age ECM label. The instrumental music is verging on minimalist classical of the Philip Glass (particularly his solo piano work) and Arvo Part school - very down tempo with lots of space.

The Felice Brothers are coming to a concert hall in Brighton in the new year which made me reach for my CD. It's actually a copy someone gave me without a cover so I wasn't even aware of which album it was. The music is round the campfire accordion washboard foot stomping bar room americana most similar to Wilco with a Tom Waits/Bob Dylan feel. Hear the honky tonk piano and horn on The Greatest Show on Earth.

I'm in the lobby of the motel 8
Waiting on my lovely date
Her name is Doris Day
I'm in a suit of burgundy
There's a deer-head looking at me
It's blowing my mind away
Everyone knows she's the killing kind
She keeps a 38 Smith and Wesson at her side
I put a pistol in my pants
Cause were going out to dance
Where the water drinks like cherry wine

Tell me mama, so it seems
Your son's been a bad marine
They're shipping him home tonight
Tell me mama wheres your other son
In jail with the other one?
You must'nt of raised them right
I heard your low-life husband shout
It got me to wondering what the scene was all about
He said I'm breaking my parole
Going down to Jericho
Get me that money, or I'm gonna beat it out

Oooh happy days are here!
It's the perfect summer night
And the moonlight's shining clear
Put a pistol in your purse
Cause we're going to Gettysburg
To the stand of the Greatest Show on Earth!

Is that your daughter Mr. Kissinger?
Better keep an eye on her
She been looking me up and down
Is that your woman in the coat of fur?
Better keep an eye on her
This is a ravenous part of town
I know about you and the deputy
And how they found him shot dead in a Mercury
Some say you're paid to kill
Like that mean ol' Buffalo Bill
Watch it buddy! Don't draw no gun on me!

Oooh happy days are here!
It's the perfect summer night
And the moonlight's shining clear
Put a pistol in your purse
Cause we're going to Gettysburg
To the stand of the Greatest Show on Earth!

You get the picture! Great stuff, I'm looking forward to it.

The Traffic album is a classic. Rather like Aja it's a perfect blend of multiple styles and all the remarkable for a band comprising of only three very talented musicians. I saw multi instrumentalist Steve Winwood playing at Cropredy Festival a few years ago and was blown away as he raced through Traffic, Spencer Davis Group, and Blind Faith classics, moving effortlessly from organ (with bass foot pedal) to guitar, and that voice of course too. The encore was Dear Mr. Fantasy... play us a tune!

There are some great bass lines and languid drum beats in the DJ Shadow album. The centre piece is the four part near 30 minute What Does Your Soul Look Like? His 1996 debut Entroducing album was famous for being composed (or compiled more like) entirely from cut and pasted samples. Not traditional musicianship of course but quite a skill nontheless. I saw a full band at a festival recreating that album.

AC/DC's Back in Black album was their first after the death of lead singer Bon Scott. Brian Johnson certainly proved an able replacement and has lasted the course with the band right up to this year when hearing problems (no shit Sherlock) forced him to temporarily step aside for Axl Rose. Back in Black isn't quite as good as AC/DC's landmark Highway to Hell album but has plenty of classic stadium filling rockers. There is something irresistible about the AC/DC template of single line riff, followed by 4 by 4 drum beat, followed by one note bass. It hooks into your brain.

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