Showing posts with label the unthanks. Show all posts
Showing posts with label the unthanks. Show all posts

Sunday 16 February 2020

Log #177 - Mount, Attack, Release, Unrest and Free

Eddy Bamyasi


The Unthanks Mount The Air
Black Keys Attack & Release
Free The Free Story
Erlend Oye Unrest
Iron And Wine The Creek Drank the Cradle
Lal and Mike Waterson Bright Phoebus

Erlend Oye is one half of Kings Of Convenience, and also the main leader in The Whitest Boy Alive. He has released two solo albums, Unrest being the debut from 2003.

Unrest sounds relatively modern with its electro-disco house beats and nods to Daft Punk and Kraftwerk. Ultimately it's a little easy listening and didn't really grab me by the scruff of the neck, albeit served as pleasant background. It did encourage me to play some Kings Of Convenience (a bit better) and some Whitest Boy Alive (much better) albums again though. Oye has a very gentle voice that seems to suit the acoustic whimsy of Kings and sharp pop of Whitest Boy best.

I'm sort of surprised I still like The Black Keys. I thought their brand of, by definition quite limited, guitar blues rock would be quickly commercialised and wear thin quite quickly but each new record I hear maintains a significant amount of grit, surprise and originality, which lifts them well clear of simply being White Stripe copyists.

I must admit I am non too familiar with the entire The Black Keys catalogue so it is difficult as yet to form much of an opinion on where the band have been and where they are going - I still fear they will, or maybe they have done already, venture off down the Kings Of Leon road towards mediocrity, but so far, 5 albums in, this hasn't happened.

Attack and Release features guest appearances from Tom Waits guitarist Marc Ribot and Danger Mouse (who also produced).





Sunday 9 February 2020

Log #176 - Magpies Drinking Wine In Bombay

Eddy Bamyasi


The Unthanks Mount The Air
Bombay Bicycle Club So Long, See You Tomorrow
Free The Free Story
Trees On The Shore (bonus disc)
Iron And Wine The Creek Drank the Cradle
Lal and Mike Waterson Bright Phoebus

Just the two new entries this week - both charity shop pick ups. 

Good value for my £ was Iron and Wine's debut album. It's fairly predictable solo acoustic strumming with whispered voice stuff from Sam Beam. This was what attracted fans to him in the first place, and some were disappointed when he went a bit more electric around the time of Kiss Each Other Clean in 2011 (which I loved), and then again when he went a bit more avant garde jazz (yes, really - I saw him at Black Deer Festival in 2018 and have no idea what he was playing).

As for the other new entry I wasted a £. Even the CD case is broken. I should have guessed. With a silly name like that, Bombay Bicycle Club were bound to be insipid middle of the road electro indie pop - file with Mercury Rev, Vampire Weekend, Arcade Fire and Florence and the Machine - in other words in the bin.

Thank goodness for the Unthanks. Lovely stuff. Their rendition of Magpie (as first heard on The Detectorists) is haunting although I was intrigued why it stopped at 7 when I think I saw 8 the other day. There are various versions of the rhyme, but it seems the most common in folklore is the 7 version:

One's for sorrow
Two's for joy
Three's for a girl and
Four's for a boy
Five's for silver
Six for gold
Seven's for a secret never told
Devil devil i defy thee


Sunday 2 February 2020

Log #175 - Folk Old And New

Eddy Bamyasi


The Unthanks Mount The Air
Felice Brothers Felice Brothers
Free The Free Story
Trees On The Shore (bonus disc)
Felice Brothers Undress
Lal and Mike Waterson Bright Phoebus

It's all about the folk this week with two significant new entries - one from modern day, one from days gone by. 

Firstly The Unthanks make a welcome return with their Mount The Air album which won BBC Folk Album Of The Year in 2016. 

I can barely get over how good this album is. It's beautiful chamber pieces are based around gentle piano supplemented by strings and horns. And then there are the sisters' voices too. Completely unique. Sounding both modern and ancient.

Bright Phoebus on the other hand sounds just ancient. It's a very unusual record which is much admired as an underground classic in folk (and wider rock and pop actually) circles. It is dark and haunting (save for a couple of more upbeat country rock numbers and the whimsical opening song Rubber Band). 

Sunday 25 February 2018

Log #74 - Non Swimmer Saved Mid Lake By The Tender Coming

Eddy Bamyasi

This week's blog features three artists across the broad folk/rock spectrum. We have the first sighting of the accomplished acoustic guitar troubadour Laura Marling, sandwiched between the traditional yet original folk song of the Unthanks sisters and Midlake's easy going yet dark brand of Americana.

~

1. Laura Marling - Alas I Cannot Swim
2. The Unthanks - Here's The Tender Coming
3. Fleetwood Mac - Rumours
4. Midlake - The Courage of Others
5. The War on Drugs - Slave Ambient
6. Robert Plant - Band of Joy

~

With Thanks For The Unthanks

It is great to come across something very new and exceptional while researching and writing this blog. I was vaguely aware of The Unthanks via their stunning cover of Starless by King Crimson (both respectful of the original yet very different too). But hearing Here's The Tender Coming has taken my admiration to a whole new level.

It's this sort of music

The heavily accented folk singing took me a few plays to tune in to. On very first listen it sounds a bit twee and too much "finger in thy ear down the Irish pub" type stuff. But once I got it the power of the songs (mostly covers or trad. set to spare arrangements of strings, brass, and piano) quickly won me over.

Very strange to be reminded of King Crimson and Yes!

Strangely one of the bands they remind me of is actually Islands era King Crimson. Also equally strangely fellow proggers the Jon Anderson fronted Yes, and Efterklang and Philip Glass, plus more obviously a bit of early Fairport Convention too and the more edgy and discordant Incredible String Band. But overall it's the type of music that makes me think of pagan festivals and dancing around in animal masks in The Wicker Man.

.. and this sort of music

The title song refers to the name of the ship, "The Tender", coming to press gang men to sea:

Here's the tender coming, pressing all the men
Oh dear hinny, what shall we do then?
Here's the tender coming off at Shield's Bar
Here's the tender coming full of men of war

Hide thee canny hinny, hide thyself away
Hide thee till the frigate makes for Druridge Bay
If they take thee Geordie who's to win our bread?
Me and little Jackie better off be dead

One of the best albums I've heard so far this year. The Unthanks will be making an appearance in the Best New Discovery section of my Year End Review when it comes around.

First Nu Folk From Laura

Purely coincidentally, in this week of suffragettes and women's rights celebrations, the delectable Unthanks singing is flanked by two other (mostly) female voices. First we have Laura Marling with her 2008 debut album Alas I Cannot Swim (I was surprised to learn this was her debut thinking she had been around a lot longer than ten years). She is no doubt a special talent with a nice voice and an original guitar technique employing interesting tunings.

This album is pretty good. Essentially just guitar and voice but some tracks are fleshed out with string arrangements and several more upbeat numbers employ a full band with bass and drums like the jaunty Cross Your Fingers. Occasionally she goes off into one of those "sing really fast and fit as many words into a breath as possible" type moments most annoyingly advocated by vocal gymnasts like Joni Mitchell.

Intriguing artwork from Laura Marling's debut album

There is a bit of the pagan tradition too in this music and some Alice in Wonderland like line drawings in the artwork but the imagery evoked by the music is not so vivid as that of the Unthanks. I think it's called nu-folk. Marling can be forgiven the close association with the very mainstream Mumford and Sons who appear in part on this album, but as folk music goes I actually find the traditional old-folk of Here's The Tender Coming much more appealing.

I've Now Heard Rumours

On the other side at slot 3 we have the first appearance in a CD player of mine of Rumours - the first Fleetwood Mac album with lead vocalist Stevie Nicks of course. I actually wrote a few months ago about having never heard this album before. Well now I have and it is pretty good. Of course I recognise at least half the songs but there are surprises on here too. It represents a well trodden path of light AOR* (what an awful term that is) but is an excellent example of such.

Stevie Nicks with Mick Fleetwood           

The Courage To Go It Alone

Keeping up the standard (and character) of this most enjoyable week we have another excellent album from a band I've not heard before. Fronted not by a female voice, but the very gentle tones of Tim Smith, Midlake are an americana/folk rock band from Texas.

The vibe on The Courage of Others is again on the pagan side starting with the hooded figures on the cover (as was also the case on the striking cover of their debut album The Trials of Van Occupanther).


The music gently rocks along and the sound is excellent. They so remind me of another band or artist generally and through particularly tracks. I just can't quite nail who I'm thinking of. I've considered Fairport Convention, The Flaming Lips, Fleet Foxes, Wilco, Iron and Wine, and Bear's Den. Bring Down sounds just like a track off of Radiohead's OK Computer and Fortune is very Simon and Garfunkel. Or perhaps overall they remind me of John Grant which wouldn't be too surprising as they played on Grant's debut solo album The Queen of Denmark.

It's those laid back breathy harmonised vocals most of all - the vocalist does seem to give a band most of it's character and on listening to some of their other music including a KEXP session I figured they weren't sounding quite as good as on The Courage of Others. Further investigation revealed that lead vocalist and songwriter Tim Smith had left and under slightly mysterious circumstances. Apparently a follow up to The Courage of Others had been recorded over a couple of years and was almost ready for release but did not come up to Smith's painstaking standards (he was only happy with one song). Smith decided to leave to pursue his own path and the remaining band scrapped the complete recording and rewrote and reproduced a completely new album in only six months.

Musically we didn't see things the same way... you can hear from their new album our tastes and sensibilities are quite different and always have been.

The new album became Antiphon and with guitarist Eric Pulido taking on lead vocals Midlake had become yet another band (after Genesis and Can who I have discussed recently) choosing not to replace their main vocalist:

Antiphon is the most honest representation of the band as a whole, as opposed to one person's vision that we were trying to facilitate.

You can sense some frustration and resentment in Pulido's words.

Antiphon - Midlake's third

What of Tim Smith's new project? Well not much so far. It seems something is restricting his output and it isn't clear whether this is perfectionism, personal issues, or plain old writer's block. The website for his new project Harp leaves this message -

I'll give another update when there's something more to say, but if you don't hear from me for a long time that only means I'm still at it. Thanks for understanding. Peace and Love, Tim

For me this fuels the mystery further and I'll certainly be intrigued with whatever he comes out with. It's displaying all the hallmarks of being a masterpiece!

"I've never been one to rush the process of making music."The enigmatic Tim Smith in his home studio.

Now imagine my surprise when clicking the facebook link on the Harpband website I am taken to a post showing Tim Smith in a Brighton pub last April! He was over here recording some music with a local band Hollow Hand who I've not heard of but will certainly be checking out. The intrigue deepens.

Charity Corner

I do love discovering new music and to think this rich seam of sonic gold from Midlake was mined from a punt on a £1.49 charity bin album. By the way to continue my log of the most common charity bin albums it is only fair to add these two perennial repeat offenders:




* Adult or Album Orientated Rock
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