Showing posts with label gorillaz. Show all posts
Showing posts with label gorillaz. Show all posts

Sunday, 19 August 2018

Log #99 - Old Wave From The Bush

Eddy Bamyasi


1. Echo And The Bunnymen - Killing Moon The Best Of
2. Cast - All Change
3. Curtis Mayfield - Love's Sweet Sensation
4. Badly Drawn Boy - Have You Fed The Fish?
5. Gorillaz - Plastic Beach
6. John Surman - Coruscating

A bit of an odd week this one (after such a storming selection last week). Why? Well, the first two CDs in the magazine I actually found, in a bush, on my walk home from work (along with REM and Gang of Four). Who chucks their unwanted CDs into a bush (rather than car booting them, leaving them on the wall, or simply throwing them in the bin)? 

They aren't ones I would have otherwise. Certainly not the first one. Why not? Well, I saw Echo And The Bunnymen once live at Glastonbury and they were rubbish (and even worse, rude to the crowd calling us a bunch of hippies - was anyone else there?). 

Is it fair to damn a band on one brief appearance? Maybe not, but you do remember. Another band I saw live once which had a similar effect on me was Florence And The Machine. I know Florence is quite cool and popular these days but frankly she couldn't sing in tune. Maybe she was just having an off day, and Echo and the boys were likewise just having a bad day at the office. It's perfectly acceptable - we all have them, Van Morrison famously has a lot of them (although he doesn't let this affect his voice!).

Ok, so it is with trepidation that I slot the first half of this monumental 36 track Echo greatest hits compilation into the player (I had similar trepidation with a Bruce Springsteen anthology a few weeks back). It's all new to me. I have no idea what the Echo hits were.

It's better than I expected but obviously the singing is monotone, the songs sound the same, and the music is unsurprisingly stuck in the 80s. Why is it that 80s and 90s music seems to sound more dated than the 60s or the 70s? I imagine that is just an illusion and perception or maybe merely a personal preference. Or maybe there was just more variety then (and now) so giving you more opportunity to find what you like.

I liked The Puppet though and Over The Wall has a Tangerine Dream pulse beat - eh?

I don't know the music that well from the period but am fairly confident in stating that it is similar to a number of other bands in fashion at the time - Flock of Seagulls, The Cure, Teardrop Explodes etc. Perhaps being kind I'd say they sound a bit more on the Smiths / Joy Division edge of the genre but lacking the originality or impact of either of those bands.

I know I should give more time to this but unfortunately when you get older you realise life is too short to invest too much energy into stuff you aren't that interested in (or reading a book that doesn't grab you in the first 50 pages or so). 

Back to the bush for you my Echo (or the back of the filing cabinet for a few years).

Cast is another band I saw at Glastonbury - most likely the same year (1996 or thereabouts?). They rode in on the Britpop coat tails of Oasis and Blur with their retro rock fundamentals and scored some singles hits including Alright and Fine Time from this album. Based on the 90s guitar rock blueprint Cast did nevertheless have a 60s feel and even sound like very early Who in places, and a lot like fellow post Brit poppers Suede.




Sunday, 18 June 2017

Log #38 - Talk Talk - From Popstars to Jazz Proggers

Eddy Bamyasi



1. Matthew E White - Fresh Blood
2. Kings of Convenience - Quiet is the New Loud
3. The Whitest Boy Alive - Dreams
4. The Whitest Boy Alive - Rules
5. Talk Talk - Spirit of Eden
6. Gorillaz - Plastic Beach

Talk Talk did a sudden about turn with this album rather like David Sylvian did after leaving Japan, or Spinal Tap in their jazz fusion period! Having been Top of the Pops fodder in the early 80s this departure to an album of extended largely instrumental progressive jazz pieces was the last thing fans were expecting... and it's rather gorgeous!


Sunday, 11 June 2017

Log #37 - Kraftwerk in Brighton!

Eddy Bamyasi

Kraftwerk returned to Brighton this week for the first time in 36 years. Playing at the Brighton Centre the "group" "played" a crowd pleasing set of greatest hits from Computer World, Man Machine, Electric Cafe, Tour De France, Radioactivity, Tran-Europe Express, and of course Autobahn - the original 1974 album that really announced their arrival.

Kraftwerk land in Brighton

So what of this? Well a number of things spring to mind...

It was an event! The "event of the season" as Buffalo Springfield once said? Possibly, although here in Brighton we are spoilt with many events. Kraftwerk concerts (and appearances of any sort) have been rare over their career although recently with their 3D tours and residences at various art galleries they have become a little more common place perhaps diluting the significance. It is still super hard to get a ticket though. I had failed a number of times before securing a side circle seat for this event.

Kraftwerk are one of those groups universally admired, not just for their music, but for their influence. In this way they are a bit of a sacred cow, immune to criticism. Listening back to the music they created in the 70s it really is remarkable - so different to anything else at the time and, although it is a cliche, still sounds as if it could have been produced yesterday. I was at school at the time and although the first pop synthesizer bands were starting to emerge in the wake of pioneers like Kraftwerk my interests remained firmly rooted in rock music. I didn't get these new synthesizer bands (Depeche Mode, OMD, Gary Numan etc) or Kraftwerk at all. But oddly Kraftwerk were one of the few electronic bands that many rock fans did like. Apparently it was not uncommon to see fans in denim jackets with Deep Purple and Led Zeppelin patches at Kraftwerk concerts. Apparently they were really loud too...

...which is why I was surprised that the music was quiet at the beginning as the house lights dimmed and neon green numerals danced across the backdrop and the band started with three numbers from Computer World. It was almost like it was still the background house music.  Later on people started shouting out that it was too quiet and amazingly someone must have heard as the volume was turned up from Radioactivity onwards.

Having got a seat to the side (it is a case of first come first served with seat selection on the internet for such a popular event) I was also wary of the effectiveness of the 3D. As a green number 4 launched towards my head at the start these fears were allayed. The crowd cheered. Later on a satellite floated above me during Spacelab from Man Machine (one of the musical and visual highlights). A UFO hovered in front of the i360 and the Brighton Centre before moving off to the Pavilion - nice local touch. More cheering.

However I continued to wonder if the 3D graphics would have been more impressive or evident from front on. I think probably not as I did have a look on my way to a bathroom break. Also, surely, they would have checked these things, and there were many seats much more to the side than mine.

Boom! Boing! Tschak!

I say "played" but that's a relative term. The four musicians (they are no doubt consummate musicians, not just technicians, having written the music at least in the case of original member Ralf Hutter, even if it is debatable how difficult it is to "play" it on computers) stood mostly motionless behind four stands and you could not see what they were doing from my angle. But their arms were moving up and down (punching some drum pads and things) or from side to side (keyboards), and Hutter (far right) was "singing" (speaking) in German and heavily accented English into a head mic. The screen helpfully showed the words to many of the "songs".

The Man Machine robots play to a full house at The Brighton Centre

At the start of the extended "encore" the real musicians were replaced by the famous Kraftwerk robots from Man Machine and "played" Robots. Humourously one of the robots wouldn't move at first. Eventually his arms rose - more crowd cheering. At the end the robots were unceremoniously pulled off stage by crew. This could have been more slick - for instance I did think the robots could have done a bit more visually although their virtual playing was exemplary. The humans returned and finished off, leaving the stage one at a time to tumultuous acclaim.

One frustration I find with a lot of concerts, especially ones like this, is the insistence on seating only. Although there are great visuals to watch, it's not a classical concert. Standing (and dancing) would have been much more exciting - I know the band are too big for such a venue but a Kraftwerk DJ set at the Concorde2 for instance would be immense! Health and safety is important of course, and in the circumstances the increased airport-like security on the door was welcome, but I do get a bit annoyed when the bouncers ask you to return to your seat if you go walkabout. Some brave souls did dance a bit in the aisles before the inevitable.

Over 2 hours of Musique Non Stop

But what of those tunes? They are all very familiar. I don't have all the Kraftwerk albums but reckon I recognised 90% of the set list. The music is simple yet perfect  - chunky repetitive bass lines and hypnotic drum beats overlaid with catchy 4 bar melodies. The tracks played live were respectful to the originals - perhaps slightly beefed up in places more akin to the remixes in The Mix album. The more recent (still old but relatively recent in Kraftwerk years) tracks from Tour De France and Electric Cafe (or Techno Pop as it is now renamed) sounding particularly current. Autobahn was the slightly edited version which appears on that album - the opening car door slam and horn receiving one of the loudest cheers of the night. Greatest hit The Model was welcomed with glee and accompanied by the original black and white video - Hutter's voice equal to the original single which strangely was officially only the B side to a track from Computer World not released until 1982. Pete Paphides explains -
Though it originally appeared on 1978's The Man Machine, The Model made more sense in a pop scene reconfigured by a rouge-streaked generation of androgynes who paid as much attention to the mask as to the emotions that it sought to conceal. In the world of Spandau Ballet, Gary Numan, Duran Duran, Visage and Scary Monsters-era Bowie, some people called themselves futurists; others preferred the term New Romantic. In terms of sound and subject, The Model was the exact point where the two intersected.
Kraftwerk at the time were a secret known only to the cool kids at school. The Model became a no.1 hit and blew that cover.


My choice from Kraftwerk this week is the Trans-Europe Express album - one of their best from their 70s hey day/decade. The music sounds fresh and vibrant, mathematically perfect, and decades ahead of its time.  Showroom Dummies is the consummate Kraftwerk tune (one of the few favourites missing from the Brighton setlist actually). The full log this week:

1. Henryk Gorecki - Miserere
2. Kings of Convenience - Quiet is the New Loud
3. Kraftwerk - Trans-Europe Express
4. Talk Talk - Spirit of Eden
5. Led Zeppelin - Physical Graffiti CD 1
6. Gorillaz - Plastic Beach



Powered by Blogger.

Leading Artists (by appearance)

neil young (26) van morrison (22) john martyn (18) tangerine dream (18) felice brothers (16) pink floyd (14) led zeppelin (13) black sabbath (12) brian eno (12) whitest boy alive (12) bonnie prince billy (11) can (11) david sylvian (11) radiohead (11) talk talk (11) beatles (10) cluster (10) cocteau twins (10) laura marling (10) nick cave (10) afro celts (9) beck (9) bob dylan (9) fennesz (9) genesis (9) iron and wine (8) loscil (8) midlake (8) paolo nutini (8) tom waits (8) autechre (7) foals (7) nucleus (7) richard hawley (7) stars of the lid (7) camel (6) david bowie (6) dj vadim (6) efterklang (6) elo (6) fairport convention (6) harmonia (6) holger czukay (6) kings of convenience (6) low (6) luke vibert (6) matthew e white (6) miles davis (6) sahb (6) the doobie brothers (6) tord gustavsen (6) war on drugs (6) william basinski (6) arovane (5) bear's den (5) black keys (5) boards of canada (5) bob marley (5) calexico (5) edgar froese (5) father john misty (5) hawkwind (5) jan jelinek (5) king crimson (5) mouse on mars (5) nils frahm (5) public service broadcasting (5) robert plant (5) sigur ros (5) takemitsu (5) arbouretum (4) badly drawn boy (4) budgie (4) carly simon (4) carole king (4) decemberists (4) emeralds (4) four tet (4) handsome family (4) hidden orchestra (4) jethro tull (4) jj cale (4) john legend (4) klaus schulze (4) kruder and dorfmeister (4) manuel gottsching (4) opeth (4) penguin cafe orchestra (4) ravi shankar (4) soft hair (4) steely dan (4) the unthanks (4) tim hecker (4) trees (4) ulrich schnauss (4) KLF (3) alan parsons project (3) alex harvey (3) alison krauss (3) alva noto (3) barclay james harvest (3) bon iver (3) bonobo (3) caitlin canty (3) caribou (3) chicago (3) coldplay (3) curtis mayfield (3) david crosby (3) deep purple (3) depeche mode (3) eilen jewell (3) enid (3) fleetwood mac (3) floating points (3) free (3) gorillaz (3) gram parsons (3) grateful dead (3) grobschnitt (3) incredible string band (3) james morrison (3) jill scott (3) john grant (3) john surman (3) keith jarrett (3) kraftwerk (3) lal waterson (3) last shadow puppets (3) lift to experience (3) lynyrd skynyrd (3) mahavishnu orchestra (3) manitoba (3) mike oldfield (3) mike waterson (3) monolake (3) neu! (3) palace brothers (3) philip glass (3) popol vuh (3) quantic (3) rodriguez (3) rokia traore (3) rolling stones (3) rory gallagher (3) roxy music (3) rush (3) simon and garfunkel (3) sly and the family stone (3) steve hillage (3) suede (3) sufjan stevens (3) the comet is coming (3) tim buckley (3) wagon christ (3) wilco (3) 4hero (2) abc (2) ac/dc (2) al stewart (2) amon duul II (2) aphex twin (2) arctic monkeys (2) baka beyond (2) band of horses (2) belle and sebastian (2) blue oyster cult (2) blue states (2) bonzo dog band (2) boris salchow (2) burial (2) cardigans (2) carlos barbosa-lima (2) charles mingus (2) chemical brothers (2) chris rea (2) cinematic orchestra (2) compilations (2) crosby stills nash (2) david darling (2) death in vegas (2) debussy (2) dj shadow (2) doors (2) earl sweatshirt (2) eloy (2) emilie simon (2) erik satie (2) farben (2) festivals (2) fleet foxes (2) francois and the atlas mountains (2) fripp and eno (2) gas (2) gong (2) granados (2) green on red (2) griffin anthony (2) jazzland (2) jean sibelius (2) jeff buckley (2) john coltrane (2) johnny flynn (2) josh t pearson (2) julian cope (2) kamasi washington (2) kanye west (2) kate bush (2) ketil bjornstad (2) la dusseldorf (2) lambchop (2) larkin poe (2) little feat (2) ludovico einaudi (2) magma (2) marianne faithfull (2) marvin gaye (2) mike lazarev (2) money mark (2) morton feldman (2) nektar (2) nightmares on wax (2) ninja (2) nirvana (2) nitin sawhney (2) peace (2) porya hatami (2) prefuse 73 (2) prem joshua (2) randy newman (2) robert fripp (2) ryan adams (2) scorpions (2) scott and maria (2) scott matthews (2) servants of science (2) soft machine (2) steve miller (2) susumu yokota (2) talvin singh (2) the who (2) thievery corporation (2) traffic (2) truckstop honeymoon (2) ufo (2) up bustle and out (2) weather report (2) wiley (2) willard grant conspiracy (2) wishbone ash (2) wyclef jean (2) yes (2) abba (1) acid mothers temple and the cosmic inferno (1) aimee mann (1) air (1) alabama 3 (1) alice coltrane (1) amadou and mariam (1) andy shauf (1) anthony hamilton (1) april wine (1) arcade fire (1) ashra (1) asia (1) badger (1) barber (1) beach boys (1) bee gees (1) beirut (1) bert jansch (1) beuno vista social club (1) bill laswell (1) biosphere (1) bjork (1) blow monkeys (1) bob geldof (1) bob holroyd (1) bob seger (1) bombay bicycle club (1) boubacar traore (1) broken social scene (1) bruce springsteen (1) bruch (1) byline (1) captain beefheart (1) cardi b (1) cast (1) cat stevens (1) catfish and the bottlemen (1) charles and eddie (1) chopin (1) chris child (1) christine and the queens (1) chuck prophet (1) climax blues band (1) cosmic jokers (1) crowded house (1) d'angelo (1) daft punk (1) david goodrich (1) davy graham (1) dexy's midnight runners (1) dolly collins (1) donald fagen (1) dreadzone (1) dub pistols (1) eagles (1) echo and the bunnymen (1) eden espinosa (1) eels (1) elbow (1) electric ape (1) emerson lake and palmer (1) erlend oye (1) erukah badu (1) essays (1) euphony in electronics (1) faust (1) feist (1) flaming lips (1) future days (1) gamma (1) gang of four (1) gentle giant (1) goat roper rodeo band (1) godspeed you black emperor (1) gorecki (1) groove armada (1) grover washington jr. (1) gun (1) guru guru (1) hatfield and the north (1) hats off gentlemen it's adequate (1) heron (1) hiss golden messenger (1) hozier (1) human league (1) idles (1) india arie (1) iron and wire (1) isaac hayes (1) james brown (1) james joys (1) jamie t (1) janelle monae (1) jayhawks (1) jean-michel jarre (1) jerry paper (1) jim croce (1) jimi hendrix (1) jjcale (1) john cale (1) john mclaughlin (1) jon hassell (1) jurassic 5 (1) kacey musgraves (1) keith berry (1) kid loco (1) king tubby (1) king's consort (1) kings of leon (1) kirk degiorgio (1) kodomo (1) lenny kravitz (1) lighthouse (1) love supreme (1) luc vanlaere (1) lumineers (1) mark pritchard (1) mark ronson (1) me'shell ndegeocello (1) messiaen (1) metallica (1) micah frank (1) michael hedges (1) michael jackson (1) mike west (1) mitski (1) modest mouse (1) moody blues (1) morte macabre (1) motorhead (1) national health (1) nick drake (1) nusrat fateh ali khan (1) oasis (1) omd (1) orb (1) orquesta reve (1) other lives (1) oval (1) paco pena (1) paladin (1) panda bear (1) pat metheny (1) paulo nutini (1) pentangle (1) pierre bensusan (1) portishead (1) proprio (1) protoje (1) purcell (1) pussy riot (1) queen (1) rainbow (1) ramsay midwood (1) rautavaara (1) rem (1) rhythm kings (1) richard strauss (1) robyn (1) roni size (1) ryuichi sakamoto (1) sada sat kaur (1) saga (1) sam jordan (1) sammy hagar (1) santana (1) scaramanga silk (1) shakti (1) shirley collins (1) shostakovich (1) snafu (1) snatam kaur (1) sparks (1) st germain (1) stanford (1) steeleye span (1) stereolab (1) steve reich (1) styx (1) supertramp (1) susumo yokota (1) t bone walker (1) terry riley (1) the band (1) the clash (1) the jayhawks (1) the streets (1) the wreks (1) tricky (1) tycho (1) uriah heep (1) velvet underground (1) venetian snares (1) vladislav delay (1) whiskeytown (1) whitesnake (1) william ackerman (1) yngwie j malmsteen (1) zhou yu (1) μ-Ziq (1)