Showing posts with label incredible string band. Show all posts
Showing posts with label incredible string band. Show all posts

Friday 5 October 2018

Album Review - The Hangman's Beautiful Daughter by The Incredible String Band

Eddy Bamyasi

Got a real "marmite" record on review here. The incredible Incredible String Band record is frankly amazing. It's just very different. It's fairly indescribable. The closest description would be a sort of folk, sometimes termed psychedelic folk, but this really doesn't do justice to the band who through a charming disregard for conventional musical forms and instrumentation stumbled upon a unique style all of their own.

However you like to describe it, The Hangman's Beautiful Daughter polarises listeners - many love it, many hate it. It has enjoyed much reverence from musicians and critics alike. Paul McCartney, Bob Dylan and John Peel were fans. McCartney selected the album as his favourite of 1968. Led Zeppelin were influenced by it, particularly around the time of their III album. It frequently features in "greatest albums of all time" lists. 

Yet many find it unlistenable.

Anything that elicits such extreme views has got to be worth a listen.

***

In the style of a good court room drama I'm honoured to take the role of the defending barrister arguing the case for this album. I will present three pieces of evidence which I will show prove beyond reasonable doubt that The Hangman's Beautiful Daughter is in fact an amazing record. In fact I will do this by an examination of the first three tracks only.

Exhibit A

I first present the opening song Koeeoaddi There as Exhibit A. There are enough ideas in this 5 minute piece for a whole career let alone a single song. The structure of the song, like a lot of Incredible String Band songs is all over the place but in my opinion it holds together and works. It's actually a miniature masterpiece!

The lyrics present a description of childhood to which many of us can relate, particularly the "shadowy fingers on the curtains at night":

Born in a house where the doors shut tight
Shadowy fingers on the curtains at night
Cherry tree blossom head high snow
A busy main road where I wasn't to go

I used to sit on the garden wall
Say hello to people going by so tall
Hallo to the postman's stubbly skin
Hallo to the baker's stubbly grin

There is also a mention of writer Robin Williamson's enigmatic girlfriend Licorice in a Dr. Seuss inspired verse:

But me and Licorice saw the last of them one misty twisty day
Across the mournful morning, moor motoring away
Singing ladybird, ladybird what is your wish
Your wish is not granted unless it’s a fish
Your wish is not granted unless it’s a dish
A fish on a dish is that what you wish

There is even a sort of chorus which is the catchiest part of the song:

Earth water fire and air
Met together in a garden fair
Put in a basket bound with skin
If you answer this riddle
If you answer this riddle, you’ll never begin

The girls in the band are an interesting case. They were Christina "Licorice" McKechnie and Rose Simpson. I'm not sure whether they were more important as girlfriends or musicians - certainly it appears they were the former before the latter and rumour has it Rose was only invited to join the band as Licorice had been invited too.  By all accounts there was a fair bit of rivalry between Williamson and Mike Heron, both personally and professionally. The girls didn't get on either!

Exhibit B

Exhibit B is The Minotaur Song which is an enjoyable call and response marching song. It features Richard Thompson and Judy Dyble from Fairport Convention. Roll up your sleeves and sing-a-long:

Straight from the shoulder
I think like a soldier
I know what's right and what's wrong
He knows what's right and what's wrong!

I'm the original discriminating buffalo man
And I'll do what's wrong as long as I can
He'll do what's wrong as long as he can!

I live in a labyrinth under the sea
Down in the dark as dark as can be
I like the dark as dark as can be
He likes the dark as dark as can be!

Exhibit C

Exhibit C is the thirteen minute epic A Very Cellular Song, a kind of circular suite that opens with a wavering organ riff and harpsichord refrain which ebbs and flows, and leaves and returns throughout.

The lyrics are out of this world, literally:

Nebulous nearnesses cry to me
At this timeless moment someone dear to me
Wants me near, makes me high
I can hear vibrations fly

Through mangoes, pomegranates and planes
All the same
When it reaches me and teaches me
To sigh

Who would mouse and who would lion
Or who would be the tamer?
And who would hear directions clear
From the unnameable namer?

Who would skip and who would plot
Or who would lie quite stilly?
And who would ride backwards on a giraffe?
Stopping every so often to laugh

Amoebas are very small
Oh ah ee oo
There's absolutely no strife
Living the timeless life, I don't need a wife
Living the timeless life

If I need a friend I just give a wriggle
Split right down the middle
And when I look there's two of me
Both as handsome as can be

Oh, here we go slithering, here we go
Slithering and squelching on
Oh, here we go slithering, here we go
Slithering and squelching on

Oh ah ee oo
There's absolutely no strife
Living the timeless life

Black hair, brown hair feather and scale
Seed and stamen and all unnamed lives that live
Turn your quivering nerves in my direction
Turn your quivering nerves in my direction

Feel the energy projection of my cells wishes you well

May the long time sun shine upon you
All love surround you
And the pure light within you
Guide you all the way on

I have heard the last verse before as a yoga mantra. I had assumed this was a traditional mantra but apparently it was lifted from this original ISB song.

The spiritual leader of Kundalini Yoga, Yogi Bhajan, once came into a room where a group of yoga students were singing the ISB song. Yogi asked them to keep it up, and from then on requested them to sing it after each of his classes. It quickly became a tradition that continues today at the end of every Kundalini Yoga class taught throughout the world. Quite an endorsement.

Closing Remarks

It is time to rest my case, your honour. I hope I have made a case strong enough for listeners to investigate, or reappraise, this most unusual and fascinating album.

After Hangman the band fell within the clutches of Scientology and despite some decent later albums and continuing good sales (much of the proceeds they invested in the Church) they gradually lost their edge:

Soon the new compositions began to lose their wild melodic beauty. In the studio, there were fewer moments of surprise and inspiration.
Joe Boyd 


The band broke up in 1974, both leading members going on to take up solo careers with the occasional short lived reunion. The enigmatic Licorice sadly went missing in the late 80s, presumed dead.

***

To read more about the Incredible String Band, along with all the other artists Joe Boyd managed and produced in the late 60s - Fairport Convention, John Martyn, Nick Drake, early Pink Floyd etc, I highly recommend his brilliant and very readable White Bicycles memoir.









Sunday 27 May 2018

Log #87 - Epic Dullness

Eddy Bamyasi

Apparently Canadian collective Godspeed have at some point in their history changed the position of the exclamation mark in their name.  So this means they have now become Godspeed! You Black Emperor instead of Godspeed You! Black Emperor, or the other way round. Just imagine the band meeting where this was decided but frankly I doubt anyone really cares.

I first became aware of GYBE when Lift Your Skinny Fists Like Antennas to Heaven came out in 2000. From memory (as I haven't played the entire set for a long time) and reputation, I recall it was a pretty decent record and at the time quite groundbreaking.

I don't think there is much groundbreaking about their brand of epic bombastic post-rock instrumental music any more. The formulaic slow / fast / quiet / loud repertoire is similarly replicated by the likes of Explosions in the Sky and Mogwai (as confirmed by the music map below). Each song builds gradually towards a predictable conclusion where everyone just plays louder and faster. The musicianship is pretty basic and sounds like a bunch of students jamming in a garage. The lack of lyrics I also think is very self-limiting.

GYBE in action

This album was the follow up to "Lift Your Skinny Fists" and translates into something to do with Yankee Unexploded Bombs - I expect heavily influenced by 9/11 and the subsequent launch of the war on terror. The cover is pretty cool.


A few years ago I saw GYBE in London (at the Troxy). Expecting some sort of revelation I was disappointed by an uninspiring performance with zero audience engagement and a backdrop of irrelevant projections.  


Less ether more real please

Unsurprisingly I have also fallen out of love with the somewhat similarly sounding Sigur Ros. Their brand of dense ethereal prog sounds a bit dated now and leaves me slightly cold and frustrated which is a shame as I'm sure I really liked their acclaimed Agaetis Byrjun album when it first came out in 1999. 

SR in action

Part of the frustration for me lies in the ghostly incomprehensible singing. The lyrics are apparently in their native Icelandic which is fair enough but it is more the style of singing which I think would make the singing incomprehensible in any language. The meaning of the title is A Good Beginning.


~

1. Neil Young - On The Beach
2. Godspeed You Black Emperor - Yanqui UXO
3. Feist - The Reminder
4. Sigur Ros - Agaetis Byrjun
5. Chemical Brothers - Come With Us
6. The Incredible String Band - The Hangman's Beautiful Daughter

~


Sunday 20 May 2018

Log #86 - The Incredible Incredible String Band

Eddy Bamyasi

Got a real "marmite" record in the player this week. The incredible Incredible String Band record is frankly amazing. It's just very different. It's fairly indescribable. The closest description would be a sort of folk, sometimes termed psychedelic folk:
In their amateurish mish-mash of world music styles, epic poetic traditions and copious psychedelics they stumbled upon a style of music all their own.

However you like to describe it, it polarises listeners - many love it, many hate it. It has enjoyed much reverence from musicians and critics. Paul McCartney, Dylan and John Peel were fans. McCartney selected the album as his favourite of 1968. Led Zeppelin were apparently heavily influenced by it, particularly around the time of producing their III album. It frequently features in "greatest albums of all time" lists. 

Yet many find it unlistenable:

"Plas man" on amazon describes it as "amateurs playing various instruments, and different tunes, all at the same time." Another amazon customer was even less charitable describing it as "by far the worst album I ever bought. What the hell were they thinking or indeed smoking. Utter and complete garbage."

In her amusing review Alt Rock Chick writes: "What I find incredible about this group is that they were ever allowed in the studio in the first place. They have all the talent of third-rate buskers, the kind of street performers whose sound makes you dash to the opposite side of the street as you approach the spot from which their horrible noise emanates." She goes on to damn the music as "the most repulsive music I have ever heard."

To many western ears it sounds out of tune and Alt Rock Chick describes the singing as beyond any notes found on any scale known to humankind! Fantastic stuff. I don't know about you but anything that elicits such extreme views has got to be worth a listen.

The ISB at their infamous Woodstock appearance, songwriters Mike Heron and Robin Williamson, backed by girlfriends

In the style of a good court room drama I'm pleased to take the role of the defending barrister putting the case for the defence of this album. I will present three pieces of evidence which I will show prove beyond reasonable doubt that The Hangman's Beautiful Daughter is in fact an amazing record. In fact I can do this by an examination of the first three tracks only.

Exhibit A

I first present the opening song Koeeoaddi There as Exhibit A. There are enough ideas in this 5 minute piece for a whole career let alone a single album or song. The structure of the song, like a lot of Incredible String Band songs is all over the place but in my opinion it holds together and works. It's actually a masterpiece!

The lyrics present a description of childhood to which many of us can relate, particularly the "shadowy fingers on the curtains at night":

Born in a house where the doors shut tight
Shadowy fingers on the curtains at night
Cherry tree blossom head high snow
A busy main road where I wasn't to go
I used to sit on the garden wall
Say hello to people going by so tall
Hallo to the postman's stubbly skin
Hallo to the baker's stubbly grin

There is also a mention of Mike Heron's enigmatic girlfriend* Licorice in a Dr. Seuss inspired verse:

But me and Licorice saw the last of them one misty twisty day
Across the mournful morning, moor motoring away
Singing ladybird, ladybird what is your wish
Your wish is not granted unless it’s a fish
Your wish is not granted unless it’s a dish
A fish on a dish is that what you wish

There is even a sort of chorus which is the catchiest part of the song:

Earth water fire and air
Met together in a garden fair
Put in a basket bound with skin
If you answer this riddle
If you answer this riddle, you’ll never begin

The girls in the band are an interesting case. They were Christina "Licorice" McKechnie and Rose Simpson. I'm not sure whether they were more important as musicians or girlfriends - certainly it appears they were the latter before the former. Licorice was partnered with Robin Williamson and left the band in 1972 after their romantic relationship ended. Rose was Mike Heron's partner and allegedly was invited to join the band only because Licorice had been invited too. By all accounts there was a fair bit of rivalry between Williamson and Heron personally and professionally. The girls didn't get on either!

[*Hang on a minute - you said Licorice was Mike's girlfriend, but then was with Robin. Which was it? Ed.
Actually it was probably both - you know, the swinging sixties, and just look at that cover! Or was that Rose?..
In the middle of the night she (Rose) left Robin's sleeping bag, crawled in with Mike, and stayed with him for the next three years.
Joe Boyd 

... actually my error, Koeeoaddi There was written by Robin so it was him, apologies. Glad we've cleared that up.]

Mike Heron, Rose Simpson, Licorice and Robin Williamson

Exhibit B

Exhibit B is The Minotaur Song which is an enjoyable call and response marching song. It features Richard Thompson and Judy Dyble from Fairport Convention. Roll up your sleeves and sing-a-long:

Straight from the shoulder
I think like a soldier
I know what's right and what's wrong
He knows what's right and what's wrong!

I'm the original discriminating buffalo man
And I'll do what's wrong as long as I can
He'll do what's wrong as long as he can!

I live in a labyrinth under the sea
Down in the dark as dark as can be
I like the dark as dark as can be
He likes the dark as dark as can be!

Heron and Williamson - never great friends

Exhibit C

Exhibit C is the thirteen minute epic A Very Cellular Song, a kind of circular suite that opens with a wavering organ riff and harpsichord refrain which ebbs and flows, and leaves and returns throughout.

The lyrics are out of this world, literally:

Nebulous nearnesses cry to me
At this timeless moment someone dear to me
Wants me near, makes me high
I can hear vibrations fly

Through mangoes, pomegranates and planes
All the same
When it reaches me and teaches me
To sigh

Who would mouse and who would lion
Or who would be the tamer?
And who would hear directions clear
From the unnameable namer?

Who would skip and who would plot
Or who would lie quite stilly?
And who would ride backwards on a giraffe?
Stopping every so often to laugh

Amoebas are very small
Oh ah ee oo
There's absolutely no strife
Living the timeless life, I don't need a wife
Living the timeless life

If I need a friend I just give a wriggle
Split right down the middle
And when I look there's two of me
Both as handsome as can be

Oh, here we go slithering, here we go
Slithering and squelching on
Oh, here we go slithering, here we go
Slithering and squelching on

Oh ah ee oo
There's absolutely no strife
Living the timeless life

Black hair, brown hair feather and scale
Seed and stamen and all unnamed lives that live
Turn your quivering nerves in my direction
Turn your quivering nerves in my direction

Feel the energy projection of my cells wishes you well

May the long time sun shine upon you
All love surround you
And the pure light within you
Guide you all the way on

I have heard the last verse before as a yoga mantra. I had assumed this was a traditional mantra but apparently the mantra was lifted from this original ISB song.

Apparently the spiritual leader of Kundalini Yoga, Yogi Bhajan, once came into a room where a group of yoga students were singing the ISB song. Yogi asked them to keep it up, and from then on requested them to sing it after his classes. It quickly became a tradition that continues today at the end of every Kundalini Yoga class taught throughout the world.

When the Incredible String Band toured the States in the late 60s May the Long Time Sun was always the closing song at their gigs.




They were invited to play Woodstock but didn't make the edit for the original film. Originally scheduled to play the more acoustic Friday evening as one of the headliners they were bumped to the heavy rock Saturday due to the famous rain and didn't go down so well. An opportunity lost.

The Woodstock setlist:
Invocation
The Letter
Gather Round
This Moment
Come With Me
When You Find Out Who You Are

Oddly no songs from "Hangman".

Closing Remarks

It is time to rest my case, your honour. I hope I have made a case strong enough for listeners to investigate, or reappraise, this most unusual and fascinating album.

After Hangman the band fell within the clutches of Scientology and despite some decent later albums and continuing good sales (much of the proceeds they invested in the Church) they gradually lost their edge:
Soon the new compositions began to lose their wild melodic beauty. In the studio, there were fewer moments of surprise and inspiration.
Joe Boyd 

The band broke up in 1974, both leading members going on to take up solo careers with the occasional short lived reunion. The enigmatic Licorice, like one of her front teeth, sadly went missing in the late 80s, presumed dead.


The full log this week:

~

1. Neil Young - On The Beach
2. Deep Purple - Machine Head
3. Cocteau Twins - Four Calendar Cafe
4. Sigur Ros - Agaetis Byrjun
5. Susumu Yokota - Sakura
6. The Incredible String Band -  The Hangman's Beautiful Daughter

~

To read more about the Incredible String Band, along with all the other artists Joe Boyd managed and produced in the late 60s - Fairport Convention, John Martyn, Nick Drake, early Pink Floyd etc. I highly recommend his brilliant and very readable White Bicycles memoir.





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