A few new entries in the box this week. First a word on a great young band I saw in Brighton last night.
Sam Jordan and the Dead Buoys (nautical spelling deliberate after a clash with a US band of the same name). I told them afterwards they sounded like Bear's Den which they took as a compliment, hence the new entry in the player. Both bands specialise in beautiful sensitive acoustic melodies and gorgeous vocal harmonies, the right side of the Mumfords.
1. Bear's Den - Islands
2. Various - Trojan Dub 3 CD Box Set - CD no. 1
3. Matthew E. White - Fresh Blood
4. Kings of Convenience - Riot on an Empty Street
5. Wilco - Being There
6. Afro Celt Sound System - Anatomic (vol. 5)
Matthew E. White I first heard on seeing his stunning
Rock and Roll is Cold video
https://www.youtube.com/watch?v=co4krl2xge0
The Wilco album I once saw in one of those Top 50 lists. It sounds a bit dated now, and the vocal delivery is rather relentlessly depressing. I think the later
Yankee Hotel Foxtrot is probably the better album. But its a double CD with alot of material so probably requires some more listening.
Cover art this week is from the lovely Kings of Convenience album. I have always been fascinated by album cover art - how a design captures an imaginary world or a grainy photo a moment in time. I love the retro feel of this cover with the brown shades, the turntable, the intellectual chess playing boys and the beautiful bookish girl with the mysterious glance. The boys are band members Erlend Øye (left) and Eirik Glambek Bøe (right). But who is that girl? Is she a model, or a real person, or possibly the guest singer Feist?
So I googled "who is the girl on the cover of riot on an empty street" and would you believe it google knew!
The following article by Clarissa Oon is reproduced from the band's website via my google search http://www.kingsofconvenience.org/strait.html :
Boe's Liv Tyler-lookalike girlfriend is on the cover of
Riot On An Empty Street, the recent sophomore major-label release from him and bandmate Erlend Oye [I look forward to spinning a Whitest Boy Alive CD I've just ordered - Oye's side project - hopefully in issue #4 if it arrives in time].
Boe gazes at the camera, looking slightly grim as she and geeky bespectacled Oye eye each other suggestively. She was also with them on the cover of their 2001 breakthrough album
Quiet Is The New Loud, says 28-year-old Boe, whose stubbled good looks remind one of a younger Viggo Mortensen. Speaking via a temperamental mobile-phone connection from Palermo, Italy, where the duo is playing a gig, Boe says his medical student girlfriend - whose name he mumbles and is lost in waves of static - was initially not meant to be in the picture. Recalling the day they shot the Quiet album cover four years ago back home in Bergen, Norway, psychology student and part-time musician Boe said he and Oye had been driving around getting lots of photos taken.
For the last picture of the day, we said to my girlfriend: 'Come on, you be in the picture with us to remember this day.'
The shot ended up on the album cover 'because it reminded us of a series of paintings by Norwegian painter Munch, with one person in the foreground and a couple in the background, called
Jealousy'.
The reference to Edvard Munch's paintings tells you two things about the Kings of Convenience, whose pensive acoustic harmonies and intelligently laconic lyrics earned them the label 'the thinking girl's boyband' from a Guardian reviewer: One is that Boe, who reads psychoanalyst Carl Jung's writings for work and semiotician Umberto Eco's essays for fun, thinks really deep thoughts. The other, that he and his songwriting band mate - who have been compared to a hip, latter-day version of 1960s troubadours Simon & Garfunkel - lead separate and somewhat competitive lives.
Friends of 12 years who played together in a now-defunct rock band Skog (Norwegian for 'forest'), they called themselves Kings of Convenience as a shorthand for 'the convenience of two people playing guitars together, instead of all the hassle travelling around with a big band'.
They have lived in different countries for the past six years: Boe in their rainy coastal hometown of Bergen, and Oye as a deejay in Berlin. The latter released his solo dance album
Unrest early last year. Suggest that it might be more convenient for the two to live in the same country, and Boe explains, in his low gentle voice that 'my life choice and his life choice are different'.
The band is not the reason we live in different countries. The band still exists in spite of the fact that we live in different countries.
Recorded early this year over a six-month period in Bergen, with periodic visits from Oye, Riot has a more evolved sound than its predecessor album, with a few whimsical, dancy tracks amid slow, autumnal numbers. Boe says they take turns to sing lead, and argue a lot. 'We each think each one's voice is better,' he adds, followed by a rustle like a smile at the other end of the line. Still, they are committed to writing songs together, frequently exchanging ideas over the phone.
'Maybe every second month, I'll go to Berlin, or he comes to Norway.'
Sounds like a long-distance relationship. 'Exactly.'
Album of the Week: A toss up between
Riot and
Islands
